For more than a decade Donna Leon has been a bestseller in Europe with a series of mysteries featuring Commissario Guido Brunetti. Always ready to bend the rules to solve a crime, Brunetti manages to maintain his integrity while maneuvering through a city rife with politics, corruption, and intrigue.
In Uniform Justice, a young cadet has been found hanged, a presumed suicide, in Venice’s elite military academy. Brunetti’s sorrow for the boy, so close in age to his own son, is rivaled only by his contempt for a community that is more concernedwith protecting the reputation of the school, and its privileged students, than with finding the truth. The young man’s father is a doctor and former politician. He is a man of an impeccable integrity who inexplicably avoids talking to the police. As Brunetti pursues his inquiry, he is faced with a wall of silence. Is the military protecting its own? Or has Brunetti uncovered a conspiracy far more sinister than that of a single death?
About the Author
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found 'damaging physically and spiritually' that Donna decided to move to Venice, where she has now lived for over twenty years.Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice's opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought 'why don't we kill him?' and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months. Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).